with DJs Terrible & Fuck You
"Exploring punk, hardcore, rock, psychedelic, jazz and beyond. Mondays, bi-weekly on 101.5 UMFM Winnipeg."
Next episode: Monday, March 10, 2008
Last episode: Monday, February 11, 2008
10:00 PM - 12:00 AM CST on 101.5 UMFM Winnipeg (http://www.umfm.com)
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A little bit of this, a little bit of that... Plenty of new garage rock and hardcore this week on Radio State.
DJ Terrible:
Cola Freaks - "Paranoid"
the Young Offenders - "Waxwings"
the Daily Void - "Surprise, Surprise"
the Hex Dispensers - "Forest Ray Colson"
No Age - "Boy Void"
Homostupids - "Back With The Wolf"
the Lamps - "Cowboy"
the Hunches - "Turkey Timer Pinocchio"
Wooden Shjips - "Death's Not Your Friend"
TV Ghost - live on Pure Hype
Ecoli - "Trammel"
Brain Handle - "Out Of Touch"
Kyklooppien Sukupuutto - "Olen, Siis Olen"
Walls - "What I Want"
No Trend - "Heartache"
Kilslug - "Bad Karma"
Black Flag - "Nothing Left Inside"
DJ Fuck You:
Middle America - "Scraped/Paranoia"
Condominium - "Faded"
the Replacements - "I Bought a Headache"
Husker Du - "Flexible Flyer"
High Back Chairs - "Summer"
Government Issue - "Everybody's Victim"
the Demics - "The Least You Can Do"
the Curse - "Aggravation"
Joy Division - "Digital"
Political Asylum - "Winter of Discontent"
Leatherface - "Little White God"
Billy Bragg - "The Milkman of Human Kindness"
Jonathan Richman - "Monologue About Bermuda"
Onion Flavored Rings - "The Shame of Quantum Physics"
the Mountain Goats - "Heretic Pride"
The Real Kids - "She"
The Clash - "Last Gang In Town"
the City Champs - "Broken Hearts"
Motorhead - "Shoot You In The Back"
























Even without a clue as who these Danish punks are, DEATH TOKEN give you a good idea of what to expect based on face value alone. The sleeve cover depicts a 4-track recorder immersed in a haunted swamp. And sure enough; throw the disk on and what you have is a tastefully raw and punishing recording of enraged old school hardcore that wouldn't have been out of place on Pusmort Records back in the day. You can hear the greats (SEPTIC DEATH, DISCHARGE, early CORROSION OF CONFORMITY) contributing to their metallic sound. The echo thrown on the manic vocals sends them even further over the top into derangement. Seven monstrous blasts are sealed off within the confines of rotting and mutating swampland with an atmospheric acoustic outro. I wonder if these guys will get around to doing a slightly longer recording; I'd like to hear more of these moody interludes contrasting with aggro thrash.














I heard a rumor that there was a rumor that this band was some "all-star" lineup of today's hardcore punkers and/or garage rockers. There isn't any information printed anywhere. Shrouded in mystery (of the band's own design?) and received with praise from friends and peers, I decided to give this one a shot. Who are these guys? Well, THE RESIDENTS they are not, although their recording is similarly thin and trebly. These characteristics are compatible with the Japanese hardcore worship that encompasses all of the songwriting on this EP, and so this EP is not a high concept but a singular one. The riffs are there and they're quite obviously doing as intended; performing a successful genre exercise. There is an enclosed lyric sheet with run-on comical (well, attempting to be) punk propaganda that I didn't bother trying to match with the vocals to see if they were lyrics. The songs here are definitely worth checking out if you aren't tired of bands not from Japan trying to pretend they are from Japan; bands that aren't concerned with leaving their own mark. I have a feeling I might enjoy this record a lot more when I happen to be in not such a grumpy and judgemental mood.





I assumed Chicago's VEE DEE had broken up. It's been awfully quiet since the release of the Further LP and Blood Zombie EP in 2004. I'm glad they're back at it because VEE DEE are one of my favorites to have emerged in the past few years. With their earlier releases I could easily summon up their sound as bearing similarities with THE TESTORS. Singer/guitarist Nick's vocals don't quite have the range or power of Sonny Vincent but that is no knock on their ability to play with and build on the bountiful trashed-out guitar licks and wonderfully thick, throbbing, fuzzed-out bass lines. The bass in particular really pounds an imprint of a song in my head and keeps it there. Although not without a sense of humor, there is a darker edge to VEE DEE's sound that isn't often present in other similar acts of today. Now having said all of that, this EP is a bit of a departure. But just a bit. Understandable, especially after 3 years of studio inactivity. The TESTORS similarities aren't as prevalent--the title track, clocking in at over 5 minutes, comes closest in similarity to the older material--and there appears to be more of a psychedelic garage feel, particularly with the track "What We See". As a result there aren't any instant punk rock anthems like "TV Police" present but instead a progressing display of skillful songwriting. I have to wonder if this is a taste of what is yet to come on a forthcoming 2nd full length. I'm eager to find out. I just hope the wait isn't another 3 years.
Released just in time for the Winnipeg band's 2007 X-mas tour spreading ill cheer throughout the US, Moron Music is BORN BAD's sophomore effort, and a solid one at that. Six tracks of nihilistic mosh-inducing hardcore punk, featuring UNDER PRESSURE guitarist Mike Requiema on vocals and Paul Phillips from SEARCH + DESTROY handling double duty behind the kit. The recording is improved over the first self-titled EP. I was fortunate enough to gt a copy of the tour press, which includes the standard issue sleeve but also a great layout illustrated by Ryan Trudeau (SEARCH + DESTROY). This is gruff and to-the-point shit. The first comparison that comes to mind is DEAD NATION. I think that has to do with its bountiful negativity towards everything. BORN BAD started off more of a studio project but has become more serious and is now a staple of the Winnipeg live experience. If you get a chance, check them out. They throw down with plenty of comedy and tragedy.






